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Youth And Art

By Robert Browning

Topics: classic

I.     It once might have been, once only:     We lodged in a street together,     You, a sparrow on the housetop lonely,     I, a lone she-bird of his feather. II.     Your trade was with sticks and clay,     You thumbed, thrust, patted and polished,     Then laughed They will see some day     Smith made, and Gibson demolished. III.     My business was song, song, song;     I chirped, cheeped, trilled and twittered,     Kate Browns on the boards ere long,     And Grisis existence embittered! IV.     I earned no more by a warble     Than you by a sketch in plaster;     You wanted a piece of marble,     I needed a music-master. V.     We studied hard in our styles,     Chipped each at a crust like Hindoos,     For air looked out on the tiles,     For fun watched each others windows. VI.     You lounged, like a boy of the South,     Cap and blouse, nay, a bit of beard too;     Or you got it, rubbing your mouth     With fingers the clay adhered to. VII.     And I, soon managed to find     Weak points in the flower-fence facing,     Was forced to put up a blind     And be safe in my corset-lacing. VIII.     No harm! It was not my fault     If you never turned your eyes tail up     As I shook upon E in alt,     Or ran the chromatic scale up: IX.     For spring bade the sparrows pair,     And the boys and girls gave guesses,     And stalls in our street looked rare     With bulrush and watercresses. X.     Why did not you pinch a flower     In a pellet of clay and fling it?     Why did not I put a power     Of thanks in a look, or sing it? XI.     I did look, sharp as a lynx,     (And yet the memory rankles,)     When models arrived, some minx     Tripped up-stairs, she and her ankles. XII.     But I think I gave you as good!     That foreign fellow, who can know     How she pays, in a playful mood,     For his tuning her that piano? XIII.     Could you say so, and never say     Suppose we join hands and fortunes,     And I fetch her from over the way,     Her, piano, and long tunes and short tunes? XIV.     No, no: you would not be rash,     Nor I rasher and something over:     You ve to settle yet Gibsons hash,     And Grisi yet lives in clover. XV.     But you meet the Prince at the Board,     Im queen myself at bals-par,     Ive married a rich old lord,     And youre dubbed knight and an R.A. XVI.     Each life unfulfilled, you see;     It hangs still, patchy and scrappy:     We have not sighed deep, laughed free,     Starved, feasted, despaired, been happy. XVII.     And nobody calls you a dunce,     And people suppose me clever:     This could but have happened once,     And we missed it, lost it for ever.

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Robert Browning

About Robert Browning

Robert Browning (1812–1889) was a major English Victorian poet who perfected the dramatic monologue form. His poems—including "My Last Duchess," "The Pied Piper of Hamelin," and "Fra Lippo Lippi"—explore psychology, morality, and art through the voices of vividly drawn characters.

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