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To The Marchioness Dowager Of Donegall.

By Thomas Moore

Topics: classic

FROM BERMUDA, JANUARY, 1804.     Lady! where'er you roam, whatever land     Woos the bright touches of that artist hand;     Whether you sketch the valley's golden meads,     Where mazy Linth his lingering current leads;[1]     Enamored catch the mellow hues that sleep,     At eve, on Meillerie's immortal steep;     Or musing o'er the Lake, at day's decline,     Mark the last shadow on that holy shrine,[2]     Where, many a night, the shade of Tell complains     Of Gallia's triumph and Helvetia's chains;     Oh! lay the pencil for a moment by,     Turn from the canvas that creative eye,     And let its splendor, like the morning ray     Upon a shepherd's harp, illume my lay.     Yet, Lady, no--for song so rude as mine,     Chase not the wonders of your art divine;     Still, radiant eye, upon the canvas dwell;     Still, magic finger, weave your potent spell;     And, while I sing the animated smiles     Of fairy nature in these sun-born isles,     Oh, might the song awake some bright design,     Inspire a touch, or prompt one happy line,     Proud were my soul, to see its humble thought     On painting's mirror so divinely caught;     While wondering Genius, as he leaned to trace     The faint conception kindling into grace,     Might love my numbers for the spark they threw,     And bless the lay that lent a charm to you.     Say, have you ne'er, in nightly vision, strayed     To those pure isles of ever-blooming shade,     Which bards of old, with kindly fancy, placed     For happy spirits in the Atlantic waste?     There listening, while, from earth, each breeze that came     Brought echoes of their own undying fame,     In eloquence of eye, and dreams of song,     They charmed their lapse of nightless hours along:--     Nor yet in song, that mortal ear might suit,     For every spirit was itself a lute,     Where Virtue wakened, with elysian breeze,     Pure tones of thought and mental harmonies.     Believe me, Lady, when the zephyrs bland     Floated our bark to this enchanted land,--     These leafy isles upon the ocean thrown,     Like studs of emerald o'er a silver zone,--     Not all the charm, that ethnic fancy gave     To blessed arbors o'er the western wave,     Could wake a dream, more soothing or sublime,     Of bowers ethereal, and the Spirit's clime.         Bright rose the morning, every wave was still,     When the first perfume of a cedar hill     Sweetly awaked us, and, with smiling charms,     The fairy harbor woo'd us to its arms.[3]     Gently we stole, before the whispering wind,     Through plaintain shades, that round, like awnings, twined     And kist on either side the wanton sails,     Breathing our welcome to these vernal vales;     While, far reflected o'er the wave serene,     Each wooded island shed so soft a green     That the enamored keel, with whispering play,     Through liquid herbage seemed to steal its way.         Never did weary bark more gladly glide,     Or rest its anchor in a lovelier tide!     Along the margin, many a shining dome,     White as the palace of a Lapland gnome,     Brightened the wave;--in every myrtle grove     Secluded bashful, like a shrine of love,     Some elfin mansion sparkled through the shade;     And, while the foliage interposing played,     Lending the scene an ever-changing grace,     Fancy would love, in glimpses vague, to trace     The flowery capital, the shaft, the porch,[4]     And dream of temples, till her kindling torch     Lighted me back to all the glorious days     Of Attic genius; and I seemed to gaze     On marble, from the rich Pentelio mount,     Gracing the umbrage of some Naiad's fount.         Then thought I, too, of thee, most sweet of all     The spirit race that come at poet's call,     Delicate Ariel! who, in brighter hours,     Lived on the perfume of these honied bowers,     In velvet buds, at evening, loved to lie,     And win with music every rose's sigh.     Though weak the magic of my humble strain     To charm your spirit from its orb again,     Yet, oh, for her, beneath whose smile I sing,     For her (whose pencil, if your rainbow wing     Were dimmed or ruffled by a wintry sky.     Could smooth its feather and relume its dye.)     Descend a moment from your starry sphere,     And, if the lime-tree grove that once was dear,     The sunny wave, the bower, the breezy hill,     The sparkling grotto can delight you still,     Oh cull their choicest tints, their softest light,     Weave all these spells into one dream of night,     And, while the lovely artist slumbering lies,     Shed the warm picture o'er her mental eyes;     Take for the task her own creative spells,     And brightly show what song but faintly tells.

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"FROM BERMUDA, JANUARY, 1804...."

This evocative piece by Thomas Moore, titled "To The Marchioness Dowager Of Donegall.", represents a masterful exploration of classic. The lines capture a profound emotional resonance... ### Why We Love This Line At Linespedia, we believe that poetry is the ultimate sanctuary for the soul...

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Author:Thomas Moore

"FROM BERMUDA, JANUARY, 1804...." by Thomas Moore

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Thomas Moore

About Thomas Moore

Thomas Moore (1779–1852) was an Irish poet, singer, and songwriter best known for "Irish Melodies" (1808–1834), a collection of songs including "The Last Rose of Summer" and "Believe Me, If All Those Endearing Young Charms." He was the most popular poet of his era in the British Isles.

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