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The Worst Of It

By Robert Browning

Topics: classic

I.     Would it were I had been false, not you!     I that am nothing, not you that are all     I, never the worse for a touch or two     On my speckled hide; not you, the pride     Of the day, my swan, that a first flecks fall     On her wonder of white must unswan, undo! II.     I had dipped in lifes struggle and, out again,     Bore specks of it here, there, easy to see,     When I found my swan and the cure was plain;     The dull turned bright as I caught your white     On my bosom: you saved me saved in vain     If you ruined yourself, and all through me! III.     Yes, all through the speckled beast that I am,     Who taught you to stoop; you gave me yourself,     And bound your soul by the vows that damn:     Since on better thought you break, as you ought,     Vows words, no angel set down, some elf     Mistook, for an oath, an epigram! IV.     Yes, might I judge you, here were my heart,     And a hundred its like, to treat as you pleased!     I choose to be yours, for my proper part,     Yours, leave or take, or mar me or make;     If I acquiesce, why should you be teased     With the conscience-prick and the memory-smart! V.     But what will God say? Oh, my sweet,     Think, and be sorry you did this thing     Though earth were unworthy to feel your feet,     Theres a heaven above may deserve your love:     Should you forfeit heaven for a snapt gold ring     And a promise broke, were it just or meet? VI.     And I to have tempted you! I, who tired     Your soul, no doubt, till it sank! Unwise,     I loved and was lowly, loved and aspired,     Loved, grieving or glad, till I made you mad,     And you meant to have hated and despised     Whereas, you deceived me nor inquired! VII.     She, ruined? How? No heaven for her?     Crowns to give, and none for the brow     That looked like marble and smelt like myrrh?     Shall the robe be worn, and the palm-branch borne,     And she go graceless, she graced now     Beyond all saints, as themselves aver? VIII.     Hardly! That must be understood!     The earth is your place of penance, then;     And what will it prove? I desire your good,     But, plot as I may, I can find no way     How a blow should fall, such as falls on men,     Nor prove too much for your womanhood. IX.     It will come, I suspect, at the end of life,     When you walk alone, and review the past;     And I, who so long shall have done with strife,     And journeyed my stage and earned my wage     And retired as was right, I am called at last,     When the devil stabs you, to lend the knife. X.     He stabs for the minute of trivial wrong,     Nor the other hours are able to save,     The happy, that lasted my whole life long:     For a promise broke, not for first words spoke,     The true, the only, that turn my grave     To a blaze of joy and a crash of song. XI.     Witness beforehand! Off I trip     On a safe path gay through the flowers you flung:     My very name made great by your lip,     And my heart a-glow with the good I know     Of a perfect year when we both were young,     And I tasted the angels fellowship. XII.     And witness, moreover . . . Ah, but wait!     I spy the loop whence an arrow shoots!     It may be for yourself, when you meditate,     That you grieve for slain ruth, murdered truth.     Though falsehood escape in the end, what boots?     How truth would have triumphed! you sigh too late. XIII.     Ay, who would have triumphed like you, I say!     Well, it is lost now; well, you must bear,     Abide and grow fit for a better day     You should hardly grudge, could I be your judge!     But hush! For you, can be no despair     Theres amends: t is a secret: hope and pray! XIV.     For I was true at least oh, true enough!     And, Dear, truth is not as good as it seems!     Commend me to conscience! Idle stuff!     Much help is in mine, as I mope and pine,     And skulk through day, and scowl in my dreams     At my swans obtaining the crows rebuff. XV.     Men tell me of truth now False! I cry:     Of beauty A mask, friend! Look beneath!     We take our own method, the devil and I,     With pleasant and fair and wise and rare     And the best we wish to what lives, is death;     Which even in wishing, perhaps we lie! XVI.     Far better commit a fault and have done     As you, Dear! for ever; and choose the pure,     And look where the healing waters run,     And strive and strain to be good again,     And a place in the other world ensure,     All glass and gold, with God for its sun. XVII.     Misery! What shall I say or do?     I cannot advise, or, at least, persuade:     Most like, you are glad you deceived me rue     No whit of the wrong: you endured too long.     Have done no evil and want no aid,     Will live the old life out and chance the new. XVIII.     And your sentence is written all the same,     And I can do nothing, pray, perhaps     But somehow the world pursues its game,     If I pray, if I curse, for better or worse:     And my faith is torn to a thousand scraps,     And my heart feels ice while my words breathe flame. XIX.     Dear, I look from my hiding-place.     Are you still so fair? Have you still the eyes?     Be happy! Add but the other grace,     Be good! Why want what the angels vaunt?     I knew you once: but in Paradise,     If we meet, I will pass nor turn my face.

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Robert Browning

About Robert Browning

Robert Browning (1812–1889) was a major English Victorian poet who perfected the dramatic monologue form. His poems—including "My Last Duchess," "The Pied Piper of Hamelin," and "Fra Lippo Lippi"—explore psychology, morality, and art through the voices of vividly drawn characters.

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