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The Old-Home Folks

By James Whitcomb Riley

Topics: classic

Such was the Child-World of the long-ago -     The little world these children used to know: -     Johnty, the oldest, and the best, perhaps,     Of the five happy little Hoosier chaps     Inhabiting this wee world all their own. -     Johnty, the leader, with his native tone     Of grave command - a general on parade     Whose each punctilious order was obeyed     By his proud followers.         But Johnty yet -     After all serious duties - could forget     The gravity of life to the extent,     At times, of kindling much astonishment     About him: With a quick, observant eye,     And mind and memory, he could supply     The tamest incident with liveliest mirth;     And at the most unlooked-for times on earth     Was wont to break into some travesty     On those around him - feats of mimicry     Of this one's trick of gesture - that one's walk -     Or this one's laugh - or that one's funny talk, -     The way "the watermelon-man" would try     His humor on town-folks that wouldn't buy; -     How he drove into town at morning - then     At dusk (alas!) how he drove out again.     Though these divertisements of Johnty's were     Hailed with a hearty glee and relish, there     Appeared a sense, on his part, of regret -     A spirit of remorse that would not let     Him rest for days thereafter. - Such times he,     As some boy said, "jist got too overly     Blame good fer common boys like us, you know,     To 'sociate with - less'n we 'ud go     And jine his church!"         Next after Johnty came     His little tow-head brother, Bud by name. -     And O how white his hair was - and how thick     His face with freckles, - and his ears, how quick     And curious and intrusive! - And how pale     The blue of his big eyes; - and how a tale     Of Giants, Trolls or Fairies, bulged them still     Bigger and bigger! - and when "Jack" would kill     The old "Four-headed Giant," Bud's big eyes     Were swollen truly into giant-size.     And Bud was apt in make-believes - would hear     His Grandma talk or read, with such an ear     And memory of both subject and big words,     That he would take the book up afterwards     And feign to "read aloud," with such success     As caused his truthful elders real distress.     But he must have big words - they seemed to give     Extremer range to the superlative -     That was his passion. "My Gran'ma," he said,     One evening, after listening as she read     Some heavy old historical review -     With copious explanations thereunto     Drawn out by his inquiring turn of mind, -     "My Gran'ma she's read all books - ever' kind     They is, 'at tells all 'bout the land an' sea     An' Nations of the Earth! - An' she is the     Historicul-est woman ever wuz!"     (Forgive the verse's chuckling as it does     In its erratic current. - Oftentimes     The little willowy waterbrook of rhymes     Must falter in its music, listening to     The children laughing as they used to do.)             Who shall sing a simple ditty all about the Willow,                 Dainty-fine and delicate as any bending spray             That dandles high the happy bird that flutters there to trill a                 Tremulously tender song of greeting to the May.             Ah, my lovely Willow! - Let the Waters lilt your graces, -                 They alone with limpid kisses lave your leaves above,             Flashing back your sylvan beauty, and in shady places                 Peering up with glimmering pebbles, like the eyes of love.     Next, Maymie, with her hazy cloud of hair,     And the blue skies of eyes beneath it there.     Her dignified and "little lady" airs     Of never either romping up the stairs     Or falling down them; thoughtful everyway     Of others first - The kind of child at play     That "gave up," for the rest, the ripest pear     Or peach or apple in the garden there     Beneath the trees where swooped the airy swing -     She pushing it, too glad for anything!     Or, in the character of hostess, she     Would entertain her friends delightfully     In her play-house, - with strips of carpet laid     Along the garden-fence within the shade     Of the old apple-trees - where from next yard     Came the two dearest friends in her regard,     The little Crawford girls, Ella and Lu -     As shy and lovely as the lilies grew     In their idyllic home, - yet sometimes they     Admitted Bud and Alex to their play,     Who did their heavier work and helped them fix     To have a "Festibul" - and brought the bricks     And built the "stove," with a real fire and all,     And stovepipe-joint for chimney, looming tall     And wonderfully smoky - even to     Their childish aspirations, as it blew     And swooped and swirled about them till their sight     Was feverish even as their high delight.     Then Alex, with his freckles, and his freaks     Of temper, and the peach-bloom of his cheeks,     And "amber-colored hair" - his mother said     'Twas that, when others laughed and called it "red"     And Alex threw things at them - till they'd call     A truce, agreeing "'t'uz n't red ut-tall!"     But Alex was affectionate beyond     The average child, and was extremely fond     Of the paternal relatives of his     Of whom he once made estimate like this: -     "I'm only got two brothers, - but my Pa     He's got most brothers'n you ever saw! -     He's got seben brothers! - Yes, an' they're all my     Seben Uncles! - Uncle John, an' Jim, - an' I'     Got Uncle George, an' Uncle Andy, too,     An' Uncle Frank, an' Uncle Joe. - An' you     Know Uncle Mart. - An', all but him, they're great     Big mens! - An' nen s Aunt Sarah - she makes eight! -     I'm got eight uncles! - 'cept Aunt Sarah can't     Be ist my uncle 'cause she's ist my aunt!"     Then, next to Alex - and the last indeed     Of these five little ones of whom you read -     Was baby Lizzie, with her velvet lisp, -     As though her Elfin lips had caught some wisp     Of floss between them as they strove with speech,     Which ever seemed just in yet out of reach -     Though what her lips missed, her dark eyes could say     With looks that made her meaning clear as day.     And, knowing now the children, you must know     The father and the mother they loved so: -     The father was a swarthy man, black-eyed,     Black-haired, and high of forehead; and, beside     The slender little mother, seemed in truth     A very king of men - since, from his youth,     To his hale manhood now - (worthy as then, -     A lawyer and a leading citizen     Of the proud little town and county-seat -     His hopes his neighbors', and their fealty sweet) -     He had known outdoor labor - rain and shine -     Bleak Winter, and bland Summer - foul and fine.     So Nature had ennobled him and set     Her symbol on him like a coronet:     His lifted brow, and frank, reliant face. -     Superior of stature as of grace,     Even the children by the spell were wrought     Up to heroics of their simple thought,     And saw him, trim of build, and lithe and straight     And tall, almost, as at the pasture-gate     The towering ironweed the scythe had spared     For their sakes, when The Hired Man declared     It would grow on till it became a tree,     With cocoanuts and monkeys in - maybe!     Yet, though the children, in their pride and awe     And admiration of the father, saw     A being so exalted - even more     Like adoration was the love they bore     The gentle mother. - Her mild, plaintive face     Was purely fair, and haloed with a grace     And sweetness luminous when joy made glad     Her features with a smile; or saintly sad     As twilight, fell the sympathetic gloom     Of any childish grief, or as a room     Were darkened suddenly, the curtain drawn     Across the window and the sunshine gone.     Her brow, below her fair hair's glimmering strands,     Seemed meetest resting-place for blessing hands     Or holiest touches of soft finger-tips     And little roseleaf-cheeks and dewy lips.     Though heavy household tasks were pitiless,     No little waist or coat or checkered dress     But knew her needle's deftness; and no skill     Matched hers in shaping pleat or flounce or frill;     Or fashioning, in complicate design,     All rich embroideries of leaf and vine,     With tiniest twining tendril, - bud and bloom     And fruit, so like, one's fancy caught perfume     And dainty touch and taste of them, to see     Their semblance wrought in such rare verity.     Shrined in her sanctity of home and love,     And love's fond service and reward thereof,     Restore her thus, O blessed Memory! -     Throned in her rocking-chair, and on her knee     Her sewing - her workbasket on the floor     Beside her, - Springtime through the open door     Balmily stealing in and all about     The room; the bees' dim hum, and the far shout     And laughter of the children at their play,     And neighbor-children from across the way     Calling in gleeful challenge - save alone     One boy whose voice sends back no answering tone -     The boy, prone on the floor, above a book     Of pictures, with a rapt, ecstatic look -     Even as the mother's, by the selfsame spell,     Is lifted, with a light ineffable -     As though her senses caught no mortal cry,     But heard, instead, some poem going by.             The Child-heart is so strange a little thing -                 So mild - so timorously shy and small. -             When grown-up hearts throb, it goes scampering                 Behind the wall, nor dares peer out at all! -                     It is the veriest mouse                     That hides in any house -                 So wild a little thing is any Child-heart!         Child-heart! - mild heart! -         Ho, my little wild heart! -                 Come up here to me out o' the dark,         Or let me come to you!             So lorn at times the Child-heart needs must be.                 With never one maturer heart for friend             And comrade, whose tear-ripened sympathy                 And love might lend it comfort to the end, -                     Whose yearnings, aches and stings.                     Over poor little things                 Were pitiful as ever any Child-heart.         Child-heart! - mild heart! -         Ho, my little wild heart! -                 Come up here to me out o' the dark,         Or let me come to you!             Times, too, the little Child-heart must be glad -                 Being so young, nor knowing, as we know.             The fact from fantasy, the good from bad,                 The joy from woe, the - all that hurts us so!                     What wonder then that thus                     It hides away from us? -                 So weak a little thing is any Child-heart!         Child-heart! - mild heart! -         Ho, my little wild heart! -                 Come up here to me out o' the dark,         Or let me come to you!             Nay, little Child-heart, you have never need                 To fear us, - we are weaker far than you -             Tis we who should be fearful - we indeed                 Should hide us, too, as darkly as you do, -                     Safe, as yourself, withdrawn,                     Hearing the World roar on                 Too willful, woful, awful for the Child-heart!         Child-heart! - mild heart! -         Ho, my little wild heart! -                 Come up here to me out o' the dark,         Or let me come to you!     The clock chats on confidingly; a rose     Taps at the window, as the sunlight throws     A brilliant, jostling checkerwork of shine     And shadow, like a Persian-loom design,     Across the homemade carpet - fades, - and then     The dear old colors are themselves again.     Sounds drop in visiting from everywhere -     The bluebird's and the robin's trill are there,     Their sweet liquidity diluted some     By dewy orchard spaces they have come:     Sounds of the town, too, and the great highway -     The Mover-wagons' rumble, and the neigh     Of overtraveled horses, and the bleat     Of sheep and low of cattle through the street -     A Nation's thoroughfare of hopes and fears,     First blazed by the heroic pioneers     Who gave up old-home idols and set face     Toward the unbroken West, to found a race     And tame a wilderness now mightier than     All peoples and all tracts American.     Blent with all outer sounds, the sounds within: -     In mild remoteness falls the household din     Of porch and kitchen: the dull jar and thump     Of churning; and the "glung-glung" of the pump,     With sudden pad and skurry of bare feet     Of little outlaws, in from field or street:     The clang of kettle, - rasp of damper-ring     And bang of cookstove-door - and everything     That jingles in a busy kitchen lifts     Its individual wrangling voice and drifts     In sweetest tinny, coppery, pewtery tone     Of music hungry ear has ever known     In wildest famished yearning and conceit     Of youth, to just cut loose and eat and eat! -     The zest of hunger still incited on     To childish desperation by long-drawn     Breaths of hot, steaming, wholesome things that stew     And blubber, and up-tilt the pot-lids, too,     Filling the sense with zestful rumors of     The dear old-fashioned dinners children love:     Redolent savorings of home-cured meats,     Potatoes, beans, and cabbage; turnips, beets     And parsnips - rarest composite entire     That ever pushed a mortal child's desire     To madness by new-grated fresh, keen, sharp     Horseradish - tang that sets the lips awarp     And watery, anticipating all     The cloyed sweets of the glorious festival. -     Still add the cinnamony, spicy scents     Of clove, nutmeg, and myriad condiments     In like-alluring whiffs that prophesy     Of sweltering pudding, cake, and custard pie -     The swooning-sweet aroma haunting all     The house - upstairs and down - porch, parlor, hall     And sitting-room - invading even where     The Hired Man sniffs it in the orchard-air,     And pauses in his pruning of the trees     To note the sun minutely and to - sneeze.     Then Cousin Rufus comes - the children hear     His hale voice in the old hall, ringing clear     As any bell. Always he came with song     Upon his lips and all the happy throng     Of echoes following him, even as the crowd     Of his admiring little kinsmen - proud     To have a cousin grown - and yet as young     Of soul and cheery as the songs he sung.     He was a student of the law - intent     Soundly to win success, with all it meant;     And so he studied - even as he played, -     With all his heart: And so it was he made     His gallant fight for fortune - through all stress     Of battle bearing him with cheeriness     And wholesome valor.         And the children had     Another relative who kept them glad     And joyous by his very merry ways -     As blithe and sunny as the summer days, -     Their father's youngest brother - Uncle Mart.     The old "Arabian Nights" he knew by heart -     "Baron Munchausen," too; and likewise "The     Swiss Family Robinson." - And when these three     Gave out, as he rehearsed them, he could go     Straight on in the same line - a steady flow     Of arabesque invention that his good     Old mother never clearly understood.     He was to be a printer - wanted, though,     To be an actor. - But the world was "show"     Enough for him, - theatric, airy, gay, -     Each day to him was jolly as a play.     And some poetic symptoms, too, in sooth,     Were certain. - And, from his apprentice youth,     He joyed in verse-quotations - which he took     Out of the old "Type Foundry Specimen Book."     He craved and courted most the favor of     The children. - They were foremost in his love;     And pleasing them, he pleased his own boy-heart     And kept it young and fresh in every part.     So was it he devised for them and wrought     To life his quaintest, most romantic thought: -     Like some lone castaway in alien seas,     He built a house up in the apple-trees,     Out in the corner of the garden, where     No man-devouring native, prowling there,     Might pounce upon them in the dead o' night -     For lo, their little ladder, slim and light,     They drew up after them. And it was known     That Uncle Mart slipped up sometimes alone     And drew the ladder in, to lie and moon     Over some novel all the afternoon.     And one time Johnty, from the crowd below, -     Outraged to find themselves deserted so -     Threw bodily their old black cat up in     The airy fastness, with much yowl and din.     Resulting, while a wild periphery     Of cat went circling to another tree,     And, in impassioned outburst, Uncle Mart     Loomed up, and thus relieved his tragic heart:                 "'Hence, long-tailed, ebon-eyed, nocturnal ranger!                 What led thee hither 'mongst the types and cases?                 Didst thou not know that running midnight races             O'er standing types was fraught with imminent danger?             Did hunger lead thee - didst thou think to find                 Some rich old cheese to fill thy hungry maw?                 Vain hope! for none but literary jaw             Can masticate our cookery for the mind!'"     So likewise when, with lordly air and grace,     He strode to dinner, with a tragic face     With ink-spots on it from the office, he     Would aptly quote more "Specimen-poetry - "     Perchance like "'Labor's bread is sweet to eat,     (Ahem!) And toothsome is the toiler's meat.'"     Ah, could you see them all, at lull of noon! -     A sort of boisterous lull, with clink of spoon     And clatter of deflecting knife, and plate     Dropped saggingly, with its all-bounteous weight,     And dragged in place voraciously; and then     Pent exclamations, and the lull again. -     The garland of glad faces 'round the board -     Each member of the family restored     To his or her place, with an extra chair     Or two for the chance guests so often there. -     The father's farmer-client, brought home from     The courtroom, though he "didn't want to come     Tel he jist saw he hat to!" he'd explain,     Invariably, time and time again,     To the pleased wife and hostess, as she pressed     Another cup of coffee on the guest. -     Or there was Johnty's special chum, perchance,     Or Bud's, or both - each childish countenance     Lit with a higher glow of youthful glee,     To be together thus unbrokenly, -     Jim Offutt, or Eck Skinner, or George Carr -     The very nearest chums of Bud's these are, -     So, very probably, one of the three,     At least, is there with Bud, or ought to be.     Like interchange the town-boys each had known -     His playmate's dinner better than his own -     Yet blest that he was ever made to stay     At Almon Keefer's, any blessed day,     For any meal!... Visions of biscuits, hot     And flaky-perfect, with the golden blot     Of molten butter for the center, clear,     Through pools of clover-honey - dear-o-dear! -     With creamy milk for its divine "farewell":     And then, if any one delectable     Might yet exceed in sweetness, O restore     The cherry-cobbler of the days of yore     Made only by Al Keefer's mother! - Why,     The very thought of it ignites the eye     Of memory with rapture - cloys the lip     Of longing, till it seems to ooze and drip     With veriest juice and stain and overwaste     Of that most sweet delirium of taste     That ever visited the childish tongue,     Or proved, as now, the sweetest thing unsung.

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"Such was the Child-World of the long-ago - ..."

This evocative piece by James Whitcomb Riley, titled "The Old-Home Folks", represents a masterful exploration of classic. The lines capture a profound emotional resonance... ### Why We Love This Line At Linespedia, we believe that poetry is the ultimate sanctuary for the soul...

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Author:James Whitcomb Riley

"Such was the Child-World of the long-ago - ..." by James Whitcomb Riley

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James Whitcomb Riley

About James Whitcomb Riley

James Whitcomb Riley (1849–1916) was an American poet known as the "Hoosier Poet." His dialect poems—including "Little Orphant Annie" and "When the Frost Is on the Punkin"—celebrate rural Indiana life and childhood nostalgia.

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