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The Little Man In The Tinshop

By James Whitcomb Riley

Topics: classic

When I was a little boy, long ago,      And spoke of the theater as the "show,"      The first one that I went to see,      Mother's brother it was took me -      (My uncle, of course, though he seemed to be      Only a boy - I loved him so!)      And ah, how pleasant he made it all!      And the things he knew that I should know! -      The stage, the "drop," and the frescoed wall;      The sudden flash of the lights; and oh,      The orchestra, with its melody,      And the lilt and jingle and jubilee         Of "The Little Man in the Tinshop"!      For Uncle showed me the "Leader" there,      With his pale, bleak forehead and long, black hair;      Showed me the "Second," and "'Cello," and "Bass,"      And the "B-Flat," pouting and puffing his face      At the little end of the horn he blew      Silvery bubbles of music through;      And he coined me names of them, each in turn,      Some comical name that I laughed to learn,      Clean on down to the last and best, -      The lively little man, never at rest,      Who hides away at the end of the string,      And tinkers and plays on everything, -         That's "The Little Man in the Tinshop"!      Raking a drum like a rattle of hail,      Clinking a cymbal or castanet;      Chirping a twitter or sending a wail      Through a piccolo that thrills me yet;      Reeling ripples of riotous bells,      And tipsy tinkles of triangles -      Wrangled and tangled in skeins of sound      Till it seemed that my very soul spun round,      As I leaned, in a breathless joy, toward my      Radiant uncle, who snapped his eye      And said, with the courtliest wave of his hand,      "Why, that little master of all the band         Is 'The Little Man in the Tinshop'!      "And I've heard Verdi, the Wonderful,      And Paganini, and Ole Bull,      Mozart, Handel, and Mendelssohn,      And fair Parepa, whose matchless tone      Karl, her master, with magic bow,      Blent with the angels', and held her so      Tranced till the rapturous Infinite -      And I've heard arias, faint and low,      From many an operatic light      Glimmering on my swimming sight      Dimmer and dimmer, until, at last,      I still sit, holding my roses fast         For 'The Little Man in the Tinshop.'"      Oho! my Little Man, joy to you -      And yours - and theirs - your lifetime through!      Though I've heard melodies, boy and man,      Since first "the show" of my life began,      Never yet have I listened to      Sadder, madder, or gladder glees      Than your unharmonied harmonies;      For yours is the music that appeals      To all the fervor the boy's heart feels -      All his glories, his wildest cheers,      His bravest hopes, and his brightest tears;      And so, with his first bouquet, he kneels         To "The Little Man in the Tinshop."

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"When I was a little boy, long ago,..."

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"When I was a little boy, long ago,..." by James Whitcomb Riley

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James Whitcomb Riley

About James Whitcomb Riley

James Whitcomb Riley (1849–1916) was an American poet known as the "Hoosier Poet." His dialect poems—including "Little Orphant Annie" and "When the Frost Is on the Punkin"—celebrate rural Indiana life and childhood nostalgia.

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