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Symphonic Studies.

By Emma Lazarus

Topics: classic

(After Robert Schumann.)         Prelude.     Blue storm-clouds in hot heavens of mid-July         Hung heavy, brooding over land and sea:         Our hearts, a-tremble, throbbed in harmony     With the wild, restless tone of air and sky.     Shall we not call him Prospero who held         In his enchanted hands the fateful key         Of that tempestuous hour's mystery,     And with him to wander by a sun-bright shore,         To hear fine, fairy voices, and to fly     With disembodied Ariel once more         Above earth's wrack and ruin?    Far and nigh     The laughter of the thunder echoed loud,     And harmless lightnings leapt from cloud to cloud.          I.     Floating upon a swelling wave of sound,         We seemed to overlook an endless sea:         Poised 'twixt clear heavens and glittering surf were we.     We drank the air in flight: we knew no bound     To the audacious ventures of desire.         Nigh us the sun was dropping, drowned in gold;         Deep, deep below the burning billows rolled;     And all the sea sang like a smitten lyre.     Oh, the wild voices of those chanting waves!         The human faces glimpsed beneath the tide!     Familiar eyes gazed from profound sea-caves,         And we, exalted, were as we had died.     We knew the sea was Life, the harmonious cry     The blended discords of humanity.          II.     Look deeper yet: mark 'midst the wave-blurred mass,         In lines distinct, in colors clear defined,         The typic groups and figures of mankind.     Behold within the cool and liquid glass     Bright child-folk sporting with smooth yellow shells,         Astride of dolphins, leaping up to kiss         Fair mother-faces.    From the vast abyss     How joyously their thought-free laughter wells!         Lulled by the overwhelming water's sound,     And some make mouths at dragons, undismayed.         Oh dauntless innocence!    The gulfs profound     Reecho strangely with their ringing glee,     And with wise mermaids' plaintive melody.          III.     What do the sea-nymphs in that coral cave?         With wondering eyes their supple forms they bend         O'er something rarely beautiful.    They lend     Their lithe white arms, and through the golden wave     They lift it tenderly.    Oh blinding sight!         A naked, radiant goddess tranced in sleep,         Full-limbed, voluptuous, 'neath the mantling sweep     Of auburn locks that kiss her ankles white!     Upward they bear her, chanting low and sweet:         The clinging waters part before their way,     Jewels of flame are dancing 'neath their feet.         Up in the sunshine, in soft foam, they lay     Their precious burden, and return forlorn.     Oh, bliss! oh, anguish!    Mortals, LOVE is born!          IV.     Hark! from unfathomable deeps a dirge         Swells sobbing through the melancholy air:         Where Love has entered, Death is also there.     The wail outrings the chafed, tumultuous surge;     Ocean and earth, the illimitable skies,         Prolong one note, a mourning for the dead,         The cry of souls not to be comforted.     What piercing music!    Funeral visions rise,     And send the hot tears raining down our cheek.         We see the silent grave upon the hill         With its lone lilac-bush.    O heart, be still!     She will not rise, she will not stir nor speak.     Surely, the unreturning dead are blest.     Ring on, sweet dirge, and knell us to our rest!          V.     Upon the silver beach the undines dance         With interlinking arms and flying hair;         Like polished marble gleam their limbs left bare;     Upon their virgin rites pale moonbeams glance.     Softer the music! for their foam-bright feet         Print not the moist floor where they trip their round:         Affrighted they will scatter at a sound,     Leap in their cool sea-chambers, nimbly fleet,     And we shall doubt that we have ever seen,         While our sane eyes behold stray wreaths of mist,         Shot with faint colors by the moon-rays kissed,     Floating snow-soft, snow-white, where these had been.     Already, look! the wave-washed sands are bare,     And mocking laughter ripples through the air.         Epilogue.     Forth in the sunlit, rain-bathed air we stepped,         Sweet with the dripping grass and flowering vine,         And saw through irised clouds the pale sun shine.     Back o'er the hills the rain-mist slowly crept     Like a transparent curtain's slivery sheen;         And fronting us the painted bow was arched,         Whereunder the majestic cloud-shapes marched:     In the wet, yellow light the dazzling green     Of lawn and bush and tree seemed stained with blue.         Our hearts o'erflowed with peace.    With smiles we spake     Of partings in the past, of courage new,         Of high achievement, of the dreams that make     A wonder and a glory of our days,     And all life's music but a hymn of praise.

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"(After Robert Schumann.)..."

This evocative piece by Emma Lazarus, titled "Symphonic Studies.", represents a masterful exploration of classic. The lines capture a profound emotional resonance... ### Why We Love This Line At Linespedia, we believe that poetry is the ultimate sanctuary for the soul...

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Author:Emma Lazarus

"(After Robert Schumann.)..." by Emma Lazarus

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Emma Lazarus

About Emma Lazarus

Emma Lazarus (1849–1887) was an American poet best known for "The New Colossus," whose lines "Give me your tired, your poor" are inscribed on the Statue of Liberty. She was an early advocate for Jewish refugees and anti-Semitism awareness.

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