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Spell-Bound

By William Morris

Topics: classic

How weary is it none can tell,         How dismally the days go by!     I hear the tinkling of the bell,         I see the cross against the sky.     The year wears round to Autumn-tide,         Yet comes no reaper to the corn;     The golden land is like a bride         When first she knows herself forlorn;     She sits and weeps with all her hair         Laid downward over tender hands;     For staind silk she hath no care,         No care for broken ivory wands;     The silver cups beside her stand;         The golden stars on the blue roof     Yet glitter, though against her hand         His cold sword presses for a proof     He is not dead, but gone away.         How many hours did she wait     For me, I wonder? Till the day         Had faded wholly, and the gate     Clanged to behind returning knights?         I wonder did she raise her head     And go away, fleeing the lights;         And lay the samite on her bed,     The wedding samite strewn with pearls:         Then sit with hands laid on her knees,     Shuddering at half-heard sound of girls         That chatter outside in the breeze?     I wonder did her poor heart throb         At distant tramp of coming knight?     How often did the choking sob         Raise up her head and lips? The light,     Did it come on her unawares,         And drag her sternly down before     People who loved her not? in prayers         Did she say one name and no more?     And once, all songs they ever sung,         All tales they ever told to me,     This only burden through them rung:         O golden love that waitest me!     The days pass on, pass on apace,         Sometimes I have a little rest     In fairest dreams, when on thy face         My lips lie, or thy hands are prest     About my forehead, and thy lips         Draw near and nearer to mine own;     But when the vision from me slips,         In colourless dawn I lie and moan,     And wander forth with fever'd blood,         That makes me start at little things,     The blackbird screaming from the wood,         The sudden whirr of pheasants' wings.     O dearest, scarcely seen by me!         But when that wild time had gone by,     And in these arms I folded thee,         Who ever thought those days could die?     Yet now I wait, and you wait too,         For what perchance may never come;     You think I have forgotten you,         That I grew tired and went home.     But what if some day as I stood         Against the wall with straind hands,     And turn'd my face toward the wood,         Away from all the golden lands;     And saw you come with tired feet,         And pale face thin and wan with care,     And staind raiment no more neat,         The white dust lying on your hair:     Then I should say, I could not come;         This land was my wide prison, dear;     I could not choose but go; at home         There is a wizard whom I fear:     He bound me round with silken chains         I could not break; he set me here     Above the golden-waving plains,         Where never reaper cometh near.     And you have brought me my good sword,         Wherewith in happy days of old     I won you well from knight and lord;         My heart upswells and I grow bold.     But I shall die unless you stand,         Half lying now, you are so weak,     Within my arms, unless your hand         Pass to and fro across my cheek.

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"How weary is it none can tell,..."

"Spell-Bound" is a quintessential example of William Morris's signature style... ### Why We Love This Line At Linespedia, we believe that poetry is the ultimate sanctuary for the soul...

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Author:William Morris

"How weary is it none can tell,..." by William Morris

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"The Text is taken from Percy's Reliques (1765), vol. i. p. 71, 'given from two MS. copies, transmitted from Scotland.' Herd had a very similar bal"

William Morris

About William Morris

William Morris (1834–1896) was an English poet, artist, and socialist reformer associated with the Pre-Raphaelites and the Arts and Crafts movement. His epic poems "The Earthly Paradise" and "Sigurd the Volsung" draw on medieval legend and Norse mythology.

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