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Song Of The Departing Spirit Of Tithe.

By Thomas Moore

Topics: classic

"The parting Genius is with sighing sent."             MILTON.     It is o'er, it is o'er, my reign is o'er;     I hear a Voice, from shore to shore,     From Dunfanaghy to Baltimore,     And it saith, in sad, parsonic tone,     "Great Tithe and Small are dead and gone!"     Even now I behold your vanishing wings,     Ye Tenths of all conceivable things,     Which Adam first, as Doctors deem,     Saw, in a sort of night-mare dream,[1]     After the feast of fruit abhorred--     First indigestion on record!--     Ye decimate ducks, ye chosen chicks,     Ye pigs which, tho' ye be Catholics,     Or of Calvin's most select depraved,     In the Church must have your bacon saved;--     Ye fields, where Labor counts his sheaves,     And, whatsoever himself believes,     Must bow to the Establisht Church belief,     That the tenth is always a Protestant sheaf;--     Ye calves of which the man of Heaven     Takes Irish tithe, one calf in seven;[2]     Ye tenths of rape, hemp, barley, flax,     Eggs, timber, milk, fish and bees' wax;     All things in short since earth's creation,     Doomed, by the Church's dispensation,     To suffer eternal decimation--     Leaving the whole lay-world, since then,     Reduced to nine parts out of ten;     Or--as we calculate thefts and arsons--     Just ten per cent. the worse for Parsons!     Alas! and is all this wise device     For the saving of souls thus gone in a trice?--     The whole put down, in the simplest way,     By the souls resolving not to pay!     And even the Papist, thankless race     Who have had so much the easiest case--     To pay for our sermons doomed, 'tis true,     But not condemned to hear them, too--     (Our holy business being, 'tis known,     With the ears of their barley, not their own,)     Even they object to let us pillage     By right divine their tenth of tillage,     And, horror of horrors, even decline     To find us in sacramental wine![3]     It is o'er, it is o'er, my reign is o'er,     Ah! never shall rosy Rector more,     Like the shepherds of Israel, idly eat,     And make of his flock "a prey and meat."[4]     No more shall be his the pastoral sport     Of suing his flock in the Bishop's Court,     Thro' various steps, Citation, Libel--     Scriptures all, but not the Bible;     Working the Law's whole apparatus,     To get at a few predoomed potatoes,     And summoning all the powers of wig,     To settle the fraction of a pig!--     Till, parson and all committed deep     In the case of "Shepherds versus Sheep,"     The Law usurps the Gospel's place,     And on Sundays meeting face to face,     While Plaintiff fills the preacher's station,     Defendants form the congregation.     So lives he, Mammon's priest, not Heaven's,     For tenths thus all at sixes and sevens,     Seeking what parsons love no less     Than tragic poets--a good distress.     Instead of studying St. Augustin,     Gregory Nyss., or old St. Justin     (Books fit only to hoard dust in),     His reverence stints his evening readings     To learned Reports of Tithe Proceedings,     Sipping the while that port so ruddy,     Which forms his only ancient study;--     Port so old, you'd swear its tartar     Was of the age of Justin Martyr,     And, had he sipt of such, no doubt     His martyrdom would have been--to gout.     Is all then lost?--alas, too true--     Ye Tenths beloved, adieu, adieu!     My reign is o'er, my reign is o'er--     Like old Thumb's ghost, "I can no more."

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""The parting Genius is with sighing sent."..."

"Song Of The Departing Spirit Of Tithe." is a quintessential example of Thomas Moore's signature style... ### Why We Love This Line At Linespedia, we believe that poetry is the ultimate sanctuary for the soul...

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Author:Thomas Moore

""The parting Genius is with sighing sent."..." by Thomas Moore

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Thomas Moore

About Thomas Moore

Thomas Moore (1779–1852) was an Irish poet, singer, and songwriter best known for "Irish Melodies" (1808–1834), a collection of songs including "The Last Rose of Summer" and "Believe Me, If All Those Endearing Young Charms." He was the most popular poet of his era in the British Isles.

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