Sappho. A Monodrama.

Argument.     To leap from the promontory of LEUCADIA was believed by the Greeks to be a remedy for hopeless love, if the self-devoted victim escaped with life. Artemisia lost her life in the dangerous experiment: and Sappho is said thus to have perished, in attempting to cure her passion for Phaon.     SAPPHO     (Scene the promontory of Leucadia.)     This is the spot:--'tis here Tradition says     That hopeless Love from this high towering rock     Leaps headlong to Oblivion or to Death.     Oh 'tis a giddy height! my dizzy head     Swims at the precipice--'tis death to fall!     Lie still, thou coward heart! this is no time     To shake with thy strong throbs the frame convuls'd.     To die,--to be at rest--oh pleasant thought!     Perchance to leap and live; the soul all still,     And the wild tempest of the passions husht     In one deep calm; the heart, no more diseas'd     By the quick ague fits of hope and fear,     Quietly cold!                      Presiding Powers look down!     In vain to you I pour'd my earnest prayers,     In vain I sung your praises: chiefly thou     VENUS! ungrateful Goddess, whom my lyre     Hymn'd with such full devotion! Lesbian groves,     Witness how often at the languid hour     Of summer twilight, to the melting song     Ye gave your choral echoes! Grecian Maids     Who hear with downcast look and flushing cheek     That lay of love bear witness! and ye Youths,     Who hang enraptur'd on the empassion'd strain     Gazing with eloquent eye, even till the heart     Sinks in the deep delirium! and ye too     Shall witness, unborn Ages! to that song     Of warmest zeal; ah witness ye, how hard,     Her fate who hymn'd the votive hymn in vain!     Ungrateful Goddess! I have hung my lute     In yonder holy pile: my hand no more     Shall wake the melodies that fail'd to move     The heart of Phaon--yet when Rumour tells     How from Leucadia Sappho hurl'd her down     A self-devoted victim--he may melt     Too late in pity, obstinate to love.     Oh haunt his midnight dreams, black NEMESIS!     Whom,[1] self-conceiving in the inmost depths     Of CHAOS, blackest NIGHT long-labouring bore,     When the stern DESTINIES, her elder brood.     And shapeless DEATH, from that more monstrous birth     Leapt shuddering! haunt his slumbers, Nemesis,     Scorch with the fires of Phlegethon his heart,     Till helpless, hopeless, heaven-abandon'd wretch     He too shall seek beneath the unfathom'd deep     To hide him from thy fury.                                 How the sea     Far distant glitters as the sun-beams smile,     And gayly wanton o'er its heaving breast     Phoebus shines forth, nor wears one cloud to mourn     His votary's sorrows! God of Day shine on--     By Man despis'd, forsaken by the Gods,     I supplicate no more.                              How many a day,     O pleasant Lesbos! in thy secret streams     Delighted have I plung'd, from the hot sun     Screen'd by the o'er-arching groves delightful shade,     And pillowed on the waters: now the waves     Shall chill me to repose.                                  Tremendous height!     Scarce to the brink will these rebellious limbs     Support me. Hark! how the rude deep below     Roars round the rugged base, as if it called     Its long-reluctant victim! I will come.     One leap, and all is over! The deep rest     Of Death, or tranquil Apathy's dead calm     Welcome alike to me. Away vain fears!     Phaon is cold, and why should Sappho live?     Phaon is cold, or with some fairer one--     Thought worse than death!     (She throws herself from the precipice.)