Skip to content
Linespedia

Prelude - The Wayside Inn - Part Third

By Henry Wadsworth Longfellow

Topics: classic

The evening came; the golden vane     A moment in the sunset glanced,     Then darkened, and then gleamed again,     As from the east the moon advanced     And touched it with a softer light;     While underneath, with flowing mane,     Upon the sign the Red Horse pranced,     And galloped forth into the night.     But brighter than the afternoon     That followed the dark day of rain,     And brighter than the golden vane     That glistened in the rising moon,     Within the ruddy fire-light gleamed;     And every separate window-pane,     Backed by the outer darkness, showed     A mirror, where the flamelets gleamed     And flickered to and fro, and seemed     A bonfire lighted in the road.     Amid the hospitable glow,     Like an old actor on the stage,     With the uncertain voice of age,     The singing chimney chanted low     The homely songs of long ago.     The voice that Ossian heard of yore,     When midnight winds were in his hall;     A ghostly and appealing call,     A sound of days that are no more!     And dark as Ossian sat the Jew,     And listened to the sound, and knew     The passing of the airy hosts,     The gray and misty cloud of ghosts     In their interminable flight;     And listening muttered in his beard,     With accent indistinct and weird,     "Who are ye, children of the Night?"     Beholding his mysterious face,     "Tell me," the gay Sicilian said,     "Why was it that in breaking bread     At supper, you bent down your head     And, musing, paused a little space,     As one who says a silent grace?"     The Jew replied, with solemn air,     "I said the Manichaean's prayer.     It was his faith,--perhaps is mine,--     That life in all its forms is one,     And that its secret conduits run     Unseen, but in unbroken line,     From the great fountain-head divine     Through man and beast, through grain and grass.     Howe'er we struggle, strive, and cry,     From death there can be no escape,     And no escape from life, alas     Because we cannot die, but pass     From one into another shape:     It is but into life we die.     "Therefore the Manichaean said     This simple prayer on breaking bread,     Lest he with hasty hand or knife     Might wound the incarcerated life,     The soul in things that we call dead:     'I did not reap thee, did not bind thee,     I did not thrash thee, did not grind thee,     Nor did I in the oven bake thee!     It was not I, it was another     Did these things unto thee, O brother;     I only have thee, hold thee, break thee!'"     "That birds have souls I can concede,"     The poet cried, with glowing cheeks;     "The flocks that from their beds of reed     Uprising north or southward fly,     And flying write upon the sky     The biforked letter of the Greeks,     As hath been said by Rucellai;     All birds that sing or chirp or cry,     Even those migratory bands,     The minor poets of the air,     The plover, peep, and sanderling,     That hardly can be said to sing,     But pipe along the barren sands,--     All these have souls akin to ours;     So hath the lovely race of flowers:     Thus much I grant, but nothing more.     The rusty hinges of a door     Are not alive because they creak;     This chimney, with its dreary roar,     These rattling windows, do not speak!"     "To me they speak," the Jew replied;     "And in the sounds that sink and soar,     I hear the voices of a tide     That breaks upon an unknown shore!"     Here the Sicilian interfered:     "That was your dream, then, as you dozed     A moment since, with eyes half-closed,     And murmured something in your beard."     The Hebrew smiled, and answered, "Nay;     Not that, but something very near;     Like, and yet not the same, may seem     The vision of my waking dream;     Before it wholly dies away,     Listen to me, and you shall hear."

AI analysis available. Enable JavaScript to interact.

About this line

"The evening came; the golden vane..."

This evocative piece by Henry Wadsworth Longfellow, titled "Prelude - The Wayside Inn - Part Third", represents a masterful exploration of classic. The lines capture a profound emotional resonance... ### Why We Love This Line At Linespedia, we believe that poetry is the ultimate sanctuary for the soul...

Attribution & Rights

Author:Henry Wadsworth Longfellow

"The evening came; the golden vane..." by Henry Wadsworth Longfellow

For usage rights, copyright concerns, or to report an issue with this content, please visit our Copyright & Report page.

Related lines

"From the outskirts of the town         Where of old the mile-stone stood.     Now a stranger, looking down     I behold the shadowy crown"

"In those days said Hiawatha,     "Lo! how all things fade and perish!     From the memory of the old men     Pass away the great traditions,"

"Between the dark and the daylight,         When the night is beginning to lower,     Comes a pause in the day's occupations,      That is known"

"How beautiful is the rain!     After the dust and heat,     In the broad and fiery street,     In the narrow lane,     How beautiful is the ra"

"Here morning in the ploughman's songs is met     Ere yet one footstep shows in all the sky,     And twilight in the east, a doubt as yet,     S"

"The Text is taken from Percy's Reliques (1765), vol. i. p. 71, 'given from two MS. copies, transmitted from Scotland.' Herd had a very similar bal"

Henry Wadsworth Longfellow

About Henry Wadsworth Longfellow

Henry Wadsworth Longfellow (1807–1882) was the most popular American poet of the 19th century. His narrative poems—including "Paul Revere's Ride," "Evangeline," and "The Song of Hiawatha"—made poetry accessible to a mass audience and shaped American cultural identity.

Full Bibliography
Continue Reading

"From the outskirts of the town         Where of ol..."

Weekly Poetic Insight

Join our literary Sanctuary

Get the most inspiring lines, poetic analysis, and secret shayaris delivered to your inbox every Sunday.