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Nature's Labels. A Fragment.

By Thomas Moore

Topics: classic

In vain we fondly strive to trace     The soul's reflection in the face;     In vain we dwell on lines and crosses,     Crooked mouth or short proboscis;     Boobies have looked as wise and bright     As Plato or the Stagirite:     And many a sage and learned skull     Has peeped through windows dark and dull.     Since then, though art do all it can,     We ne'er can reach the inward man,     Nor (howsoe'er "learned Thebans" doubt)     The inward woman, from without,     Methinks 'twere well if nature could     (And Nature could, if Nature would)     Some pithy, short descriptions write     On tablets large, in black and white,     Which she might hang about our throttles,     Like labels upon physic-bottles;     And where all men might read--but stay--     As dialectic sages say,     The argument most apt and ample     For common use is the example.     For instance, then, if Nature's care     Had not portrayed, in lines so fair,     The inward soul of Lucy Lindon.     This is the label she'd have pinned on.     LABEL FIRST.     Within this form there lies enshrined     The purest, brightest gem of mind.     Though Feeling's hand may sometimes throw     Upon its charms the shade of woe,     The lustre of the gem, when veiled,     Shall be but mellowed, not concealed.                  *             *             *             *             *     Now, sirs, imagine, if you're able,     That Nature wrote a second label,     They're her own words--at least suppose so--     And boldly pin it on Pomposo.     LABEL SECOND.     When I composed the fustian brain     Of this redoubted Captain Vain.     I had at hand but few ingredients,     And so was forced to use expedients.     I put therein some small discerning,     A grain of sense, a grain of learning;     And when I saw the void behind,     I filled it up with--froth and wind!

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"In vain we fondly strive to trace..."

Exploring the themes of classic, Thomas Moore delivers a powerful performance in "Nature's Labels. A Fragment."... ### Why We Love This Line At Linespedia, we believe that poetry is the ultimate sanctuary for the soul...

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Thomas Moore

About Thomas Moore

Thomas Moore (1779–1852) was an Irish poet, singer, and songwriter best known for "Irish Melodies" (1808–1834), a collection of songs including "The Last Rose of Summer" and "Believe Me, If All Those Endearing Young Charms." He was the most popular poet of his era in the British Isles.

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