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Faded Leaves

By Matthew Arnold

Topics: classic

I     THE RIVER     Still glides the stream, slow drops the boat     Under the rustling poplars shade;     Silent the swans beside us float     None speaks, none heeds, ah, turn thy head.     Let those arch eyes now softly shine,     That mocking mouth grow sweetly bland:     Ah, let them rest, those eyes, on mine;     On mine let rest that lovely hand.     My pent-up tears oppress my brain,     My heart is swoln with love unsaid:     Ah, let me weep, and tell my pain,     And on thy shoulder rest my head.     Before I die, before the soul,     Which now is mine, must re-attain     Immunity from my control,     And wander round the world again:     Before this teasd oerlabourd heart     For ever leaves its vain employ,     Dead to its deep habitual smart,     And dead to hopes of future joy.     II     TOO LATE     Each on his own strict line we move,     And some find death ere they find love.     So far apart their lives are thrown     From the twin soul that halves their own.     And sometimes, by still harder fate,     The lovers meet, but meet too late.     , Thy heart is mine!, True, true! ah, true!     , Then, love, thy hand!, Ah, no! adieu!     III     SEPARATION     Stop, Not to me, at this bitter departing,     Speak of the sure consolations of Time.     Fresh be the wound, still-renewd be its smarting,     So but thy image endure in its prime.     But, if the stedfast commandment of Nature     Wills that remembrance should always decay;     If the lovd form and the deep-cherishd feature     Must, when unseen, from the soul fade away,     Me let no half-effacd memories cumber!     Fled, fled at once, be all vestige of thee,     Deep be the darkness, and still be the slumber,     Dead be the Past and its phantoms to me!     Then, when we meet, and thy look strays towards me,     Scanning my face and the changes wrought there,,     Who, let me say, is this Stranger regards me,     With the grey eyes, and the lovely brown hair?     IV     ON THE RHINE     Vain is the effort to forget.     Some day I shall be cold, I know,     As is the eternal moon-lit snow     Of the high Alps, to which I go:     But ah, not yet! not yet!     Vain is the agony of grief.     Tis true, indeed, an iron knot     Ties straitly up from mine thy lot,     And were it snapt, thou lovst me not!     But is despair relief?     Awhile let me with thought have done;     And as this brimmd unwrinkled Rhine     And that far purple mountain line     Lie sweetly in the look divine     Of the slow-sinking sun;     So let me lie, and calm as they     Let beam upon my inward view     Those eyes of deep, soft, lucent hue,     Eyes too expressive to be blue,     Too lovely to be grey.     Ah Quiet, all things feel thy balm!     Those blue hills too, this rivers flow,     Were restless once, but long ago.     Tamd is their turbulent youthful glow:     Their joy is in their calm.     V     LONGING     Come to me in my dreams, and then     By day I shall be well again!     For so the night will more than pay     The hopeless longing of the day.     Come, as thou camst a thousand times,     A messenger from radiant climes,     And smile on thy new world, and be     As kind to others as to me!     Or, as thou never camst in sooth,     Come now, and let me dream it truth,     And part my hair, and kiss my brow,     And say, My love! why sufferest thou?     Come to me in my dreams, and then     By day I shall be well again!     For so the night will more than pay     The hopeless longing of the day.

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"I..."

Exploring the themes of classic, Matthew Arnold delivers a powerful performance in "Faded Leaves"... ### Why We Love This Line At Linespedia, we believe that poetry is the ultimate sanctuary for the soul...

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Matthew Arnold

About Matthew Arnold

Matthew Arnold (1822–1888) was an English poet and critic whose poems "Dover Beach" and "The Scholar Gipsy" explore Victorian doubt and the search for meaning. His critical work "Culture and Anarchy" (1869) remains influential in literary and cultural studies.

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