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Death And Daphne

By Jonathan Swift

Topics: classic

TO AN AGREEABLE YOUNG LADY, BUT EXTREMELY LEAN. 1730     Lord Orrery gives us the following curious anecdote respecting this poem:     "I have just now cast my eye over a poem called 'Death and Daphne, which makes me recollect an odd incident, relating to that nymph. Swift, soon after our acquaintance, introduced me to her as to one of his female favourites. I had scarce been half an hour in her company, before she asked me if I had seen the Dean's poem upon 'Death and Daphne.' As I told her I had not, she immediately unlocked a cabinet, and, bringing out the manuscript, read it to me with a seeming satisfaction, of which, at that time, I doubted the sincerity. While she was reading, the Dean was perpetually correcting her for bad pronunciation, and for placing a wrong emphasis upon particular words. As soon as she had gone through the composition, she assured me, smilingly, that the portrait of Daphne was drawn for herself. I begged to be excused from believing it; and protested that I could not see one feature that had the least resemblance; but the Dean immediately burst into a fit of laughter. 'You fancy,' says he, 'that you are very polite, but you are much mistaken. That lady had rather be a Daphne drawn by me, than a Sacharissa by any other pencil.' She confirmed what he had said with great earnestness, so that I had no other method of retrieving my error, than by whispering in her ear, as I was conducting her down stairs to dinner, that indeed I found         'Her hand as dry and cold as lead!'"      - Remarks on the Life of Swift, Lond., 1752, p. 126.     Death went upon a solemn day     At Pluto's hall his court to pay;     The phantom having humbly kiss'd     His grisly monarch's sooty fist,     Presented him the weekly bills     Of doctors, fevers, plagues, and pills.     Pluto, observing since the peace     The burial article decrease,     And vex'd to see affairs miscarry,     Declared in council Death must marry;     Vow'd he no longer could support     Old bachelors about his court;     The interest of his realm had need     That Death should get a numerous breed;     Young deathlings, who, by practice made     Proficient in their father's trade,     With colonies might stock around     His large dominions under ground.         A consult of coquettes below     Was call'd, to rig him out a beau;     From her own head Megaera[1] takes     A periwig of twisted snakes:     Which in the nicest fashion curl'd,     (Like toupees[2] of this upper world)     With flower of sulphur powder'd well,     That graceful on his shoulders fell;     An adder of the sable kind     In line direct hung down behind:     The owl, the raven, and the bat,     Clubb'd for a feather to his hat:     His coat, a usurer's velvet pall,     Bequeath'd to Pluto, corpse and all.     But, loath his person to expose     Bare, like a carcass pick'd by crows,     A lawyer, o'er his hands and face     Stuck artfully a parchment case.     No new flux'd rake show'd fairer skin;     Nor Phyllis after lying in.     With snuff was fill'd his ebon box,     Of shin-bones rotted by the pox.     Nine spirits of blaspheming fops,     With aconite anoint his chops;     And give him words of dreadful sounds,     G - d d - n his blood! and b - d and w - ds!'         Thus furnish'd out, he sent his train     To take a house in Warwick-lane:[3]     The faculty, his humble friends,     A complimental message sends:     Their president in scarlet gown     Harangued, and welcomed him to town.         But Death had business to dispatch;     His mind was running on his match.     And hearing much of Daphne's fame,     His majesty of terrors came,     Fine as a colonel of the guards,     To visit where she sat at cards;     She, as he came into the room,     Thought him Adonis in his bloom.     And now her heart with pleasure jumps,     She scarce remembers what is trumps;     For such a shape of skin and bone     Was never seen except her own.     Charm'd with his eyes, and chin, and snout,     Her pocket-glass drew slily out;     And grew enamour'd with her phiz,     As just the counterpart of his.     She darted many a private glance,     And freely made the first advance;     Was of her beauty grown so vain,     She doubted not to win the swain;     Nothing she thought could sooner gain him,     Than with her wit to entertain him.     She ask'd about her friends below;     This meagre fop, that batter'd beau;     Whether some late departed toasts     Had got gallants among the ghosts?     If Chloe were a sharper still     As great as ever at quadrille?     (The ladies there must needs be rooks,     For cards, we know, are Pluto's books.)     If Florimel had found her love,     For whom she hang'd herself above?     How oft a-week was kept a ball     By Proserpine at Pluto's hall?     She fancied those Elysian shades     The sweetest place for masquerades;     How pleasant on the banks of Styx,     To troll it in a coach and six!         What pride a female heart inflames?     How endless are ambition's aims:     Cease, haughty nymph; the Fates decree     Death must not be a spouse for thee;     For, when by chance the meagre shade     Upon thy hand his finger laid,     Thy hand as dry and cold as lead,     His matrimonial spirit fled;     He felt about his heart a damp,     That quite extinguished Cupid's lamp:     Away the frighted spectre scuds,     And leaves my lady in the suds.

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"TO AN AGREEABLE YOUNG LADY, BUT EXTREMELY LEAN. 1730..."

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"TO AN AGREEABLE YOUNG LADY, BUT EXTREMELY LEAN. 17..." by Jonathan Swift

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Jonathan Swift

About Jonathan Swift

Jonathan Swift (1667–1745) was an Irish satirist, essayist, and poet. Best known for "Gulliver's Travels," his poetry includes "A Description of a City Shower" and "Verses on the Death of Dr. Swift." His sharp wit and moral indignation made him one of the greatest satirists in English.

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