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Concerning Geffray Teste Noire

By William Morris

Topics: classic

And if you meet the Canon of Chimay,         As going to Ortaise you well may do,     Greet him from John of Castel Neuf, and say         All that I tell you, for all this is true.     This Geffray Teste Noire was a Gascon thief,         Who, under shadow of the English name,     Pilled all such towns and countries as were lief         To King Charles and St. Denis; thought it blame     If anything escaped him; so my lord,         The Duke of Berry, sent Sir John Bonne Lance,     And other knights, good players with the sword,         To check this thief, and give the land a chance.     Therefore we set our bastides round the tower         That Geffray held, the strong thief! like a king,     High perch'd upon the rock of Ventadour,         Hopelessly strong by Christ! It was mid spring,     When first I joined the little army there         With ten good spears; Auvergne is hot, each day     We sweated armed before the barrier;         Good feats of arms were done there often. Eh?     Your brother was slain there? I mind me now,         A right good man-at-arms, God pardon him!     I think 'twas Geffray smote him on the brow         With some spiked axe, and while he totter'd, dim     About the eyes, the spear of Alleyne Roux         Slipped through his camaille and his throat; well, well!     Alleyne is paid now; your name Alleyne too?         Mary! how strange! but this tale I would tell:     For spite of all our bastides, damned Blackhead         Would ride abroad whene'er he chose to ride,     We could not stop him; many a burgher bled         Dear gold all round his girdle; far and wide     The villaynes dwelt in utter misery         'Twixt us and thief Sir Geffray; hauled this way     By Sir Bonne Lance at one time; he gone by,         Down comes this Teste Noire on another day.     And therefore they dig up the stone, grind corn,         Hew wood, draw water, yea, they lived, in short,     As I said just now, utterly forlorn,         Till this our knave and blackhead was out-fought.     So Bonne Lance fretted, thinking of some trap         Day after day, till on a time he said:     John of Newcastle, if we have good hap,         We catch our thief in two days. How? I said.     Why, Sir, to-day he rideth out again,         Hoping to take well certain sumpter mules     From Carcassonne, going with little train,         Because, forsooth, he thinketh us mere fools;     But if we set an ambush in some wood,         He is but dead: so, Sir, take thirty spears     To Verville forest, if it seem you good.         Then felt I like the horse in Job, who hears     The dancing trumpet sound, and we went forth;         And my red lion on the spear-head flapped,     As faster than the cool wind we rode north,         Towards the wood of Verville; thus it happed.     We rode a soft pace on that day, while spies         Got news about Sir Geffray: the red wine     Under the road-side bush was clear; the flies,         The dragon-flies I mind me most, did shine     In brighter arms than ever I put on;         So: Geffray, said our spies, would pass that way     Next day at sundown: then he must be won;         And so we enter'd Verville wood next day,     In the afternoon; through it the highway runs,         'Twixt copses of green hazel, very thick,     And underneath, with glimmering of suns,         The primroses are happy; the dews lick     The soft green moss: 'Put cloths about your arms,         Lest they should glitter; surely they will go     In a long thin line, watchful for alarms,         With all their carriages of booty; so,     Lay down my pennon in the grass: Lord God.         What have we lying here? will they be cold,     I wonder, being so bare, above the sod,         Instead of under? This was a knight too, fold     Lying on fold of ancient rusted mail;         No plate at all, gold rowels to the spurs,     And see the quiet gleam of turquoise pale         Along the ceinture; but the long time blurs     Even the tinder of his coat to nought,         Except these scraps of leather; see how white     The skull is, loose within the coif! He fought         A good fight, maybe, ere he was slain quite.     No armour on the legs too; strange in faith!         A little skeleton for a knight, though: ah!     This one is bigger, truly without scathe         His enemies escaped not! ribs driven out far;     That must have reach'd the heart, I doubt: how now,         What say you, Aldovrand, a woman? why?'     Under the coif a gold wreath on the brow,         Yea, see the hair not gone to powder, lie,     Golden, no doubt, once: yea, and very small,         This for a knight; but for a dame, my lord,     These loose-hung bones seem shapely still, and tall.         Didst ever see a woman's bones, my Lord?     Often, God help me! I remember when         I was a simple boy, fifteen years old,     The Jacquerie froze up the blood of men         With their fell deeds, not fit now to be told.     God help again! we enter'd Beauvais town,         Slaying them fast, whereto I help'd, mere boy     As I was then; we gentles cut them down,         These burners and defilers, with great joy.     Reason for that, too, in the great church there         These fiends had lit a fire, that soon went out,     The church at Beauvais being so great and fair:         My father, who was by me, gave a shout     Between a beast's howl and a woman's scream,         Then, panting, chuckled to me: 'John, look! look!     Count the dames' skeletons!' From some bad dream         Like a man just awaked, my father shook;     And I, being faint with smelling the burnt bones,         And very hot with fighting down the street,     And sick of such a life, fell down, with groans         My head went weakly nodding to my feet.     --An arrow had gone through her tender throat,         And her right wrist was broken; then I saw     The reason why she had on that war-coat,         Their story came out clear without a flaw;     For when he knew that they were being waylaid,         He threw it over her, yea, hood and all;     Whereby he was much hack'd, while they were stay'd         By those their murderers; many an one did fall     Beneath his arm, no doubt, so that he clear'd         Their circle, bore his death-wound out of it;     But as they rode, some archer least afear'd         Drew a strong bow, and thereby she was hit.     Still as he rode he knew not she was dead,         Thought her but fainted from her broken wrist,     He bound with his great leathern belt: she bled?         Who knows! he bled too, neither was there miss'd     The beating of her heart, his heart beat well         For both of them, till here, within this wood,     He died scarce sorry; easy this to tell;         After these years the flowers forget their blood.     How could it be? never before that day,         However much a soldier I might be,     Could I look on a skeleton and say         I care not for it, shudder not: now see,     Over those bones I sat and pored for hours,         And thought, and dream'd, and still I scarce could see     The small white bones that lay upon the flowers,         But evermore I saw the lady; she     With her dear gentle walking leading in,         By a chain of silver twined about her wrists,     Her loving knight, mounted and arm'd to win         Great honour for her, fighting in the lists.     O most pale face, that brings such joy and sorrow         Into men's hearts (yea, too, so piercing sharp     That joy is, that it marcheth nigh to sorrow         For ever, like an overwinded harp).     Your face must hurt me always: pray you now,         Doth it not hurt you too? seemeth some pain     To hold you always, pain to hold your brow         So smooth, unwrinkled ever; yea again,     Your long eyes where the lids seem like to drop,         Would you not, lady, were they shut fast, feel     Far merrier? there so high they will not stop,         They are most sly to glide forth and to steal     Into my heart; I kiss their soft lids there,         And in green gardens scarce can stop my lips     From wandering on your face, but that your hair         Falls down and tangles me, back my face slips.     Or say your mouth, I saw you drink red wine         Once at a feast; how slowly it sank in,     As though you fear'd that some wild fate might twine         Within that cup, and slay you for a sin.     And when you talk your lips do arch and move         In such wise that a language new I know     Besides their sound; they quiver, too, with love         When you are standing silent; know this, too,     I saw you kissing once, like a curved sword         That bites with all its edge, did your lips lie,     Curled gently, slowly, long time could afford         For caught-up breathings: like a dying sigh     They gather'd up their lines and went away,         And still kept twitching with a sort of smile,     As likely to be weeping presently;         Your hands too, how I watch'd them all the while!     Cry out St. Peter now, quoth Aldovrand;         I cried, St. Peter! broke out from the wood     With all my spears; we met them hand to hand,         And shortly slew them; natheless, by the rood,     We caught not Blackhead then, or any day;         Months after that he died at last in bed,     From a wound pick'd up at a barrier-fray;         That same year's end a steel bolt in the head,     And much bad living killed Teste Noire at last;         John Froissart knoweth he is dead by now,     No doubt, but knoweth not this tale just past;         Perchance then you can tell him what I show.     In my new castle, down beside the Eure,         There is a little chapel of squared stone,     Painted inside and out; in green nook pure         There did I lay them, every wearied bone;     And over it they lay, with stone-white hands         Clasped fast together, hair made bright with gold;     This Jaques Picard, known through many lands,         Wrought cunningly; he's dead now: I am old.

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"And if you meet the Canon of Chimay,..."

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William Morris

About William Morris

William Morris (1834–1896) was an English poet, artist, and socialist reformer associated with the Pre-Raphaelites and the Arts and Crafts movement. His epic poems "The Earthly Paradise" and "Sigurd the Volsung" draw on medieval legend and Norse mythology.

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