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Chopin.

By Emma Lazarus

Topics: classic

I.     A    dream of interlinking hands, of feet     Tireless to spin the unseen, fairy woof,     Of the entangling waltz.    Bright eyebeams meet,     Gay laughter echoes from the vaulted roof.     Warm perfumes rise; the soft unflickering glow     Of branching lights sets off the changeful charms     Of glancing gems, rich stuffs, dazzling snow     Of necks unkerchieft, and bare, clinging arms.     Hark to the music!    How beneath the strain     Of reckless revelry, vibrates and sobs     One fundamental chord of constant pain,     The pulse-beat of the poet's heart that throbs.     So yearns, though all the dancing waves rejoice,     The troubled sea's disconsolate, deep voice.          II.     Who shall proclaim the golden fable false     Of Orpheus' miracles?    This subtle strain     Above our prose-world's sordid loss and gain     Lightly uplifts us.    With the rhythmic waltz,     The lyric prelude, the nocturnal song     Of love and languor, varied visions rise,     That melt and blend to our enchanted eyes.     The Polish poet who sleeps silenced long,     The seraph-souled musician, breathes again     Eternal eloquence, immortal pain.     Revived the exalted face we know so well,     The illuminated eyes, the fragile frame,     Slowly consuming with its inward flame,     We stir not, speak not, lest we break the spell.         III.     A voice was needed, sweet and true and fine     As the sad spirit of the evening breeze,     Throbbing with human passion, yet divine     As the wild bird's untutored melodies.     A voice for him 'neath twilight heavens dim,     Who mourneth for his dead, while round him fall     The wan and noiseless leaves.    A voice for him     Who sees the first green sprout, who hears the call     Of the first robin on the first spring day.     A voice for all whom Fate hath set apart,     Who, still misprized, must perish by the way,     Longing with love, for that they lack the art     Of their own soul's expression.    For all these     Sing the unspoken hope, the vague, sad reveries.          IV.     Then Nature shaped a poet's heart - a lyre     From out whose chords the lightest breeze that blows     Drew trembling music, wakening sweet desire.     How shall she cherish him?    Behold! she throws     This precious, fragile treasure in the whirl     Of seething passions; he is scourged and stung,     Must dive in storm-vext seas, if but one pearl     Of art or beauty therefrom may be wrung.     No pure-browed pensive nymph his Muse shall be,     An amazon of thought with sovereign eyes,     Whose kiss was poison, man-brained, worldly-wise,     Inspired that elfin, delicate harmony.     Rich gain for us!    But with him is it well?     The poet who must sound earth, heaven, and hell!

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"I...."

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Emma Lazarus

About Emma Lazarus

Emma Lazarus (1849–1887) was an American poet best known for "The New Colossus," whose lines "Give me your tired, your poor" are inscribed on the Statue of Liberty. She was an early advocate for Jewish refugees and anti-Semitism awareness.

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