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Bellona

By Adam Lindsay Gordon

Topics: classic

Thou art moulded in marble impassive,     False goddess, fair statue of strife,     Yet standest on pedestal massive,     A symbol and token of life.     Thou art still, not with stillness of languor,     And calm, not with calm boding rest;     For thine is all wrath and all anger     That throbs far and near in the breast     Of man, by thy presence possessd.     With the brow of a fallen archangel,     The lips of a beautiful fiend,     And locks that are snake-like to strangle,     And eyes from whose depths may be gleand     The presence of passions, that tremble     Unbidden, yet shine as they may     Through features too proud to dissemble,     Too cold and too calm to betray     Their secrets to creatures of clay.     Thy breath stirreth faction and party,     Men rise, and no voice can avail     To stay them, rose-tinted Astarte     Herself at thy presence turns pale.     For deeper and richer the crimson     That gathers behind thee throws forth     A halo thy raiment and limbs on,     And leaves a red track in the path     That flows from thy wine-press of wrath.     For behind thee red rivulets trickle,     Men fall by thy hands swift and lithe,     As corn falleth down to the sickle,     As grass falleth down to the scythe,     Thine arm, strong and cruel, and shapely,     Lifts high the sharp, pitiless lance,     And rapine and ruin and rape lie     Around thee. The Furies advance,     And Ares awakes from his trance.     We, too, with our bodies thus weakly,     With hearts hard and dangerous, thus     We owe thee, the saints suffered meekly     Their wrongs, it is not so with us.     Some share of thy strength thou hast given     To mortals refusing in vain     Thine aid. We have suffered and striven     Till we have grown reckless of pain,     Though feeble of heart and of brain.     Fair spirit, alluring if wicked,     False deity, terribly real,     Our senses are trappd, our souls tricked     By thee and thy hollow ideal.     The soldier who falls in his harness,     And strikes his last stroke with slack hand,     On his dead face thy wrath and thy scorn is     Imprinted. Oh! seeks he a land     Where he shall escape thy command?     When the blood of thy victims lies red on     That stricken field, fiercest and last,     In the sunset that gilds Armageddon     With battle-drift still overcast,     When the smoke of thy hot conflagrations     Oershadows the earth as with wings,     Where nations have fought against nations,     And kings have encounterd with kings,     When cometh the end of all things,     Then those who have patiently waited,     And borne, unresisting, the pain     Of thy vengeance unglutted, unsated,     Shall they be rewarded again?     Then those who, enticed by thy laurels,     Or urged by thy promptings unblest,     Have striven and stricken in quarrels,     Shall they, too, find pardon and rest?     We know not, yet hope for the best.

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"Thou art moulded in marble impassive,..."

Exploring the themes of classic, Adam Lindsay Gordon delivers a powerful performance in "Bellona"... ### Why We Love This Line At Linespedia, we believe that poetry is the ultimate sanctuary for the soul...

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Author:Adam Lindsay Gordon

"Thou art moulded in marble impassive,..." by Adam Lindsay Gordon

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Adam Lindsay Gordon

About Adam Lindsay Gordon

Adam Lindsay Gordon (1833–1870) was an Australian poet, horseman, and politician. His bush ballads — "The Sick Stockrider," "How We Beat the Mace" — made him Australia's most popular poet. He is one of only two poets with a bust in Westminster Abbey's Poets' Corner.

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