Skip to content
Linespedia

Bad Dreams II

By Robert Browning

Topics: classic

You in the flesh and here,     Your very self! Now, wait!     One word! May I hope or fear?     Must I speak in love or hate?     Stay while I ruminate!     The fact and each circumstance     Dare you disown? Not you!     That vast dome, that huge dance,     And the gloom which overgrew     A possibly festive crew!     For why should men dance at all     Why women a crowd of both     Unless they are gay? Strange ball     Hands and feet plighting troth,     Yet partners enforced and loth!     Of who danced there, no shape     Did I recognize: thwart, perverse,     Each grasped each, past escape     In a whirl or weary or worse:     Mans sneer met womans curse,     While he and she toiled as if     Their guardian set galley-slaves     To supple chained limbs grown stiff:     Unmanacled trulls and knaves     The lash for who misbehaves!     And a gloom was, all the while,     Deeper and deeper yet     Oergrowing the rank and file     Of that army of haters set     To mimic loves fever-fret.     By the wall-side close I crept.     Avoiding the livid maze.     And, safely so far, outstepped     On a chamber, a chapel, says     My memory or betrays     Closet-like, kept aloof     From unseemly witnessing     What sport made floor and roof     Of the Devils palace ring     While his Damned amused their king.     Ay, for a low lamp burned,     And a silence lay about     What I, in the midst, discerned     Though dimly till, past doubt,     Twas a sort of throne stood out     High seat with steps, at least:     And the topmost step was filled     By whom? What vestured priest?     A stranger to me, his guild,     His cult, unreconciled     To my knowledge how guild and cult     Are clothed in this world of ours:     I pondered, but no result     Came to, unless that Giaours     So worship the Lower Powers.     When suddenly who entered?     Who knelt, did you guess I saw?     Who, raising that face were centred     Allegiance to love and law     So lately, off-casting awe,     Down-treading reserve, away     Thrusting respect . . . but mine     Stands firm, firm still shall stay!     Ask Satan! for I decline     To tell what I saw, in fine!     Yet here in the flesh you come,     Your same self, form and face,     In the eyes, mirth still at home!     On the lips, that commonplace     Perfection of honest grace!     Yet your errand is, needs must be,     To palliate, well, explain,     Expurgate in some degree     Your soul of its ugly stain.     Oh, you, the good in grain,     How was it your white took tinge?     A mere dream, never object!     Sleep leaves a door on hinge     Whence soul, ere our flesh suspect,     Is off and away: detect     Her vagaries when loose, who can!     Be she pranksome, be she prude,     Disguise with the day began:     With the night, ah, what ensued     From draughts of a drink hell-brewed?     Then She: What a queer wild dream!     And perhaps the best fun is,     Myself had its fellow, I seem     Scarce awake from yet. Twas this,     Shall I tell you? First, a kiss!     For the fault was just your own,     Tis myself expect apology:     You warned me to let alone     (Since our studies were mere philology)     That ticklish (you said) Anthology.     So I dreamed that I passed exam     Till a question posed me sore:     Who translated this epigram     By an author we best ignore?     And I answered, Hannah More!

AI analysis available. Enable JavaScript to interact.

About this line

"You in the flesh and here,..."

Exploring the themes of classic, Robert Browning delivers a powerful performance in "Bad Dreams II"... ### Why We Love This Line At Linespedia, we believe that poetry is the ultimate sanctuary for the soul...

Attribution & Rights

Author:Robert Browning

"You in the flesh and here,..." by Robert Browning

For usage rights, copyright concerns, or to report an issue with this content, please visit our Copyright & Report page.

Related lines

"I     Query: was ever a quainter     Crotchet than this of the painter     Giacomo Pacchiarotto     Who took Reform for his motto? II     He,"

"As certain also of your own poets have said     - (Acts 17.28)     Cleon the poet (from the sprinkled isles,     Lily on lily, that oerla"

"Shortly after the Revival of Learning in Europe     Let us begin and carry up this corpse,     Singing together.     Leave we the common crof"

"So, the three Court-ladies began     Their trial of who judged best     In esteeming the love of a man:     Who preferred with most reason was"

"Here morning in the ploughman's songs is met     Ere yet one footstep shows in all the sky,     And twilight in the east, a doubt as yet,     S"

"The Text is taken from Percy's Reliques (1765), vol. i. p. 71, 'given from two MS. copies, transmitted from Scotland.' Herd had a very similar bal"

Robert Browning

About Robert Browning

Robert Browning (1812–1889) was a major English Victorian poet who perfected the dramatic monologue form. His poems—including "My Last Duchess," "The Pied Piper of Hamelin," and "Fra Lippo Lippi"—explore psychology, morality, and art through the voices of vividly drawn characters.

Full Bibliography
Continue Reading

"I     Query: was ever a quainter     Crotchet than..."

Weekly Poetic Insight

Join our literary Sanctuary

Get the most inspiring lines, poetic analysis, and secret shayaris delivered to your inbox every Sunday.