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A Toccata Of Galuppis

By Robert Browning

Topics: classic

I     Oh Galuppi, Baldassaro, this is very sad to find!     I can hardly misconceive you; it would prove me deaf and blind;     But although I take your meaning, tis with such a heavy mind! II     Here you come with your old music, and heres all the good it brings.     What, they lived once thus at Venice where the merchants were the kings,     Where Saint Marks is, where the Doges used to wed the sea with rings? III     Ay, because the seas the street there; and tis arched by . . . what you call     . . . Shylocks bridge with houses on it, where they kept the carnival:     I was never out of England, its as if I saw it all. IV     Did young people take their pleasure when the sea was warm in May?     Balls and masks begun at midnight, burning ever to mid-day,     When they made up fresh adventures for the morrow, do you say? V     Was a lady such a lady, cheeks so round and lips so red,     On her neck the small face buoyant, like a bell-flower on its bed,     Oer the breasts superb abundance where a man might base his head? VI     Well, and it was graceful of them, theyd break talk off and afford     She, to bite her masks black velvet, he, to finger on his sword,     While you sat and played Toccatas, stately at the clavichord? VII     What? Those lesser thirds so plaintive, sixths diminished, sigh on sigh,     Told them something? Those suspensions, those solutions, Must we die?     Those commiserating sevenths, Life might last! we can but try! VIII     Were you happy? Yes. And are you still as happy? Yes. And you?     Then, more kisses! Did I stop them, when a million seemed so few?     Hark, the dominants persistence till it must be answered to! IX     So, an octave struck the answer. Oh, they praised you, I dare say!     Brave Galuppi! that was music! good alike at grave and gay!     I can always leave off talking when I hear a master play! X     Then they left you for their pleasure: till in due time, one by one,     Some with lives that came to nothing, some with deeds as well undone,     Death stepped tacitly and took them where they never see the sun. XI     But when I sit down to reason, think to take my stand nor swerve,     While I triumph oer a secret wrung from natures close reserve,     In you come with your cold music till I creep thro every nerve. XII     Yes, you, like a ghostly cricket, creaking where a house was burned:     Dust and ashes, dead and done with, Venice spent what Venice earned.     The soul, doubtless, is immortal, where a soul can be discerned. XIII     Yours for instance: you know physics, something of geology,     Mathematics are your pastime; souls shall rise in their degree;     Butterflies may dread extinction, youll not die, it cannot be! XIV     As for Venice and her people, merely born to bloom and drop,     Here on earth they bore their fruitage, mirth and folly were the crop:     What of soul was left, I wonder, when the kissing had to stop? XV     Dust and ashes! So you creak it, and I want the heart to scold.     Dear dead women, with such hair, too, whats become of all the gold     Used to hang and brush their bosoms? I feel chilly and grown old.

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Exploring the themes of classic, Robert Browning delivers a powerful performance in "A Toccata Of Galuppis"... ### Why We Love This Line At Linespedia, we believe that poetry is the ultimate sanctuary for the soul...

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Robert Browning

About Robert Browning

Robert Browning (1812–1889) was a major English Victorian poet who perfected the dramatic monologue form. His poems—including "My Last Duchess," "The Pied Piper of Hamelin," and "Fra Lippo Lippi"—explore psychology, morality, and art through the voices of vividly drawn characters.

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