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A Dedication To The Author Of Holmby House

By Adam Lindsay Gordon

Topics: classic

They are rhymes rudely strung with intent less     Of sound than of words,     In lands where bright blossoms are scentless,     And songless bright birds;     Where, with fire and fierce drought on her tresses,     Insatiable Summer oppresses     Sere woodlands and sad wildernesses,     And faint flocks and herds.     Where in dreariest days, when all dews end,     And all winds are warm,     Wild Winters large flood-gates are loosend,     And floods, freed by storm,     From broken up fountain heads, dash on     Dry deserts with long pent up passion,     Here rhyme was first framed without fashion,     Song shaped without form.     Whence gatherd?, The locusts glad chirrup     May furnish a stave;     The ring of a rowel and stirrup,     The wash of a wave.     The chaunt of the marsh frog in rushes,     That chimes through the pauses and hushes     Of nightfall, the torrent that gushes,     The tempests that rave.     In the deepning of dawn, when it dapples     The dusk of the sky,     With streaks like the reddning of apples,     The ripening of rye.     To eastward, when cluster by cluster,     Dim stars and dull planets that muster,     Wax wan in a world of white lustre     That spreads far and high.     In the gathering of night gloom oerhead, in     The still silent change,     All fire-flushed when forest trees redden     On slopes of the range.     When the gnarld, knotted trunks Eucalyptian     Seem carved, like weird columns Egyptian,     With curious device, quaint inscription,     And hieroglyph strange.     In the Spring, when the wattle gold trembles     Twixt shadow and shine,     When each dew-laden air draught resembles     A long draught of wine;     When the sky-lines blue burnishd resistance     Makes deeper the dreamiest distance,     Some song in all hearts hath existence,,     Such songs have been mine.     They came in all guises, some vivid     To clasp and to keep;     Some sudden and swift as the livid     Blue thunder-flames leap.     This swept through the first breath of clover     With memories renewd to the rover,     That flashd while the black horse turnd over     Before the long sleep.     To you (having cunning to colour     A page with your pen,     That through dull days, and nights even duller,     Long years ago ten,     Fair pictures in fever afforded),     I send these rude staves, roughly worded     By one in whose brain stands recorded     As clear now as then,     The great rush of grey Northern water,     The green ridge of bank,     The sorrel with curved sweep of quarter     Curld close to clean flank,     The Royalist saddlefast squarely,     And where the bright uplands stretch fairly,     Behind, beyond pistol-shot barely,     The Roundheaded rank.     A long launch, with clinging of muscles,     And clenching of teeth!     The loose doublet ripples and rustles!     The swirl shoots beneath!     Enough. In return for your garland,     In lieu of the flowers from your far land,     Take wild growth of dreamland or starland,     Take weeds for your wreath.     Yet rhyme had not faild me for reason,     Nor reason for rhyme,     Sweet Song! had I sought you in season,     And found you in time.     You beckon in your bright beauty yonder,     And I, waxing fainter, yet fonder,     Now weary too soon when I wander,     Now fall when I climb.     It matters but little in the long run,     The weak have some right,     Some share in the race that the strong run,     The fight the strong fight.     If words that are worthless go westward,     Yet the worst word shall be as the best word,     In the day when all riot sweeps restward,     In darkness or light.

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Adam Lindsay Gordon

About Adam Lindsay Gordon

Adam Lindsay Gordon (1833–1870) was an Australian poet, horseman, and politician. His bush ballads — "The Sick Stockrider," "How We Beat the Mace" — made him Australia's most popular poet. He is one of only two poets with a bust in Westminster Abbey's Poets' Corner.

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